Lena Horne
14 years 6 months ago #1
by riada
Nor but in sleep findeth a cure for care.
Incertainty that once gave scope to dream
Of laughing enterprise and glory untold,
Is now a blackness that no stars redeem.
Lena Horne was created by riada
Lena Mary Calhoun Horne (June 30, 1917 – May 9, 2010) was an American singer, actress, and dancer.
In the fall of 1933, Horne joined the chorus line of the Cotton Club in New York City. In the spring of 1934, she had a featured role in the Cotton Club Parade. A few years later she joined Noble Sissle's Orchestra, with which she toured.
Horne already had two low-budget movies to her credit: a 1938 musical feature called The Duke is Tops (later reissued with Horne's name above the title as The Bronze Venus); and a 1941 two-reel short subject, Boogie Woogie Dream. She became the first black performer to sign a long-term contract with a major Hollywood studio. In 1945 and 1946 she sang with Billy Eckstine's Orchestra.In Ziegfeld Follies (1946) she performed "Love" by Hugh Martin and Ralph Blane. Horne wanted to be considered for the role of Julie LaVerne in MGM's 1951 version of Show Boat (having already played the role when a segment of Show Boat was performed in Till the Clouds Roll By) but lost the part to Ava Gardner, a personal friend in real life, due to the Production Code's ban on interracial relationships in films.By the mid-1950s, Horne was disenchanted with Hollywood and increasingly focused on her nightclub career. She only made two major appearances in MGM films during the decade, 1950's Duchess of Idaho (which was also Eleanor Powell's film swan song), and the 1956 musical Meet Me in Las Vegas. She was blacklisted during the 1950s for her political views.From the late 1950s through the 1960s, Horne was a staple of TV variety shows, appearing multiple times on Perry Como's Kraft Music Hall, The Ed Sullivan Show, The Dean Martin Show, and The Bell Telephone Hour. Other programs she appeared on included The Judy Garland Show, The Hollywood Palace, and The Andy Williams Show.In 1970, she co-starred with Harry Belafonte in the hour long Harry & Lena for ABC; in 1973, she co-starred with Tony Bennett in Tony and Lena. Horne and Bennett subsequently toured the U.S. and U.K. in a show together.On April 13, 1980 Miss Horne, Luciano Pavarotti, and host Gene Kelly were all scheduled to appear at a Gala performance at the Metropolitan Opera House to salute the N Y City Center's Joffrey Ballet Company. However, Mr. Pavarotti's plane was diverted over the Atlantic and was unable to appear. James Nederlander was an invited Honored Guest and noted that only three people at the sold out Metropolitan Opera House asked for their money back.The 1990s found Horne considerably more active in the recording studio - all the more remarkable considering she was approaching her 80th year. Following her 1993 performance at a tribute to the musical legacy of her good friend Billy Strayhorn (Duke Ellington's longtime collaborator), she decided to record an album composed largely of Strayhorn's and Ellington's songs the following year, We'll Be Together Again. To coincide with the release of the album, Horne made what would be her final concert performances at New York's Supper Club and Carnegie Hall.Horne married Louis Jordan Jones in January 1937 and lived in Pittsburgh. On December 21, 1937 they had a daughter, Gail (later known as Gail Lumet Buckley, a best-selling author),and a son, Edwin Jones (February 1940 - September 12, 1970-kidney disease) Horne and Jones separated in 1940 and divorced in 1944. Horne's second marriage was to Lennie Hayton, a Jewish American and one of the premier musical conductors and arrangers at MGM, in December 1947 in Paris.They separated in the early 1960s, but never divorced; he died in 1971.In her as-told-to autobiography Lena by Richard Schickel, Horne recounts the enormous pressures she and her husband faced as an interracial married couple. She later admitted in an Ebony, May 1980 interview she had married Hayton to advance her career.Screenwriter Jenny Lumet, known for her award-winning screenplay Rachel Getting Married, is Horne's granddaughter, the daughter of filmmaker Sidney Lumet and Horne's daughter, Gail.Horne died on May 9, 2010, at the New York–Presbyterian Hospital in New York City. She is survived by her daughter, Gail Lumet Buckley, grandaughters Jenny and Amy Lumet, Lena Jones, and grandsons, William and Thomas Jones. The circumstances of her death were withheld.
In the fall of 1933, Horne joined the chorus line of the Cotton Club in New York City. In the spring of 1934, she had a featured role in the Cotton Club Parade. A few years later she joined Noble Sissle's Orchestra, with which she toured.
Horne already had two low-budget movies to her credit: a 1938 musical feature called The Duke is Tops (later reissued with Horne's name above the title as The Bronze Venus); and a 1941 two-reel short subject, Boogie Woogie Dream. She became the first black performer to sign a long-term contract with a major Hollywood studio. In 1945 and 1946 she sang with Billy Eckstine's Orchestra.In Ziegfeld Follies (1946) she performed "Love" by Hugh Martin and Ralph Blane. Horne wanted to be considered for the role of Julie LaVerne in MGM's 1951 version of Show Boat (having already played the role when a segment of Show Boat was performed in Till the Clouds Roll By) but lost the part to Ava Gardner, a personal friend in real life, due to the Production Code's ban on interracial relationships in films.By the mid-1950s, Horne was disenchanted with Hollywood and increasingly focused on her nightclub career. She only made two major appearances in MGM films during the decade, 1950's Duchess of Idaho (which was also Eleanor Powell's film swan song), and the 1956 musical Meet Me in Las Vegas. She was blacklisted during the 1950s for her political views.From the late 1950s through the 1960s, Horne was a staple of TV variety shows, appearing multiple times on Perry Como's Kraft Music Hall, The Ed Sullivan Show, The Dean Martin Show, and The Bell Telephone Hour. Other programs she appeared on included The Judy Garland Show, The Hollywood Palace, and The Andy Williams Show.In 1970, she co-starred with Harry Belafonte in the hour long Harry & Lena for ABC; in 1973, she co-starred with Tony Bennett in Tony and Lena. Horne and Bennett subsequently toured the U.S. and U.K. in a show together.On April 13, 1980 Miss Horne, Luciano Pavarotti, and host Gene Kelly were all scheduled to appear at a Gala performance at the Metropolitan Opera House to salute the N Y City Center's Joffrey Ballet Company. However, Mr. Pavarotti's plane was diverted over the Atlantic and was unable to appear. James Nederlander was an invited Honored Guest and noted that only three people at the sold out Metropolitan Opera House asked for their money back.The 1990s found Horne considerably more active in the recording studio - all the more remarkable considering she was approaching her 80th year. Following her 1993 performance at a tribute to the musical legacy of her good friend Billy Strayhorn (Duke Ellington's longtime collaborator), she decided to record an album composed largely of Strayhorn's and Ellington's songs the following year, We'll Be Together Again. To coincide with the release of the album, Horne made what would be her final concert performances at New York's Supper Club and Carnegie Hall.Horne married Louis Jordan Jones in January 1937 and lived in Pittsburgh. On December 21, 1937 they had a daughter, Gail (later known as Gail Lumet Buckley, a best-selling author),and a son, Edwin Jones (February 1940 - September 12, 1970-kidney disease) Horne and Jones separated in 1940 and divorced in 1944. Horne's second marriage was to Lennie Hayton, a Jewish American and one of the premier musical conductors and arrangers at MGM, in December 1947 in Paris.They separated in the early 1960s, but never divorced; he died in 1971.In her as-told-to autobiography Lena by Richard Schickel, Horne recounts the enormous pressures she and her husband faced as an interracial married couple. She later admitted in an Ebony, May 1980 interview she had married Hayton to advance her career.Screenwriter Jenny Lumet, known for her award-winning screenplay Rachel Getting Married, is Horne's granddaughter, the daughter of filmmaker Sidney Lumet and Horne's daughter, Gail.Horne died on May 9, 2010, at the New York–Presbyterian Hospital in New York City. She is survived by her daughter, Gail Lumet Buckley, grandaughters Jenny and Amy Lumet, Lena Jones, and grandsons, William and Thomas Jones. The circumstances of her death were withheld.
Nor but in sleep findeth a cure for care.
Incertainty that once gave scope to dream
Of laughing enterprise and glory untold,
Is now a blackness that no stars redeem.
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