Cy Twombly
12 years 9 months ago #1
by riada
Nor but in sleep findeth a cure for care.
Incertainty that once gave scope to dream
Of laughing enterprise and glory untold,
Is now a blackness that no stars redeem.
Cy Twombly was created by riada
Edwin Parker (Cy) Twombly, Jr. (April 25, 1928 – July 5, 2011) was an American artist well known for his large-scale, freely scribbled, calligraphic-style graffiti paintings, on solid fields of mostly gray, tan, or off-white colors. He exhibited his paintings worldwide.
Twombly's paintings blur the line between drawing and painting. Many of his best-known paintings of the late 1960s are reminiscent of a school blackboard on which someone has practiced cursive "e"s. His paintings of the late 1950s, early 1960s might be reminiscent of long term accumulation of bathroom graffiti. Twombly had at this point discarded painting figurative, representational subject-matter, citing the line or smudge — each mark with its own history — as its proper subject.
Later, many of his paintings and works on paper moved into "romantic symbolism", and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted the poet Stéphane Mallarmé, as well as many classical myths and allegories in his works. Examples of this are his Apollo and The Artist and a series of eight drawings consisting solely of inscriptions of the word "VIRGIL". In a 1994 retrospective of Twombly's work, the curator described it as “influential among artists, discomfiting to many critics and truculently difficult not just for a broad public, but for sophisticated initiates of postwar art as well.”
Twombly lived in Lexington, Virginia, and Rome, Italy. He died in Rome after being hospitalized for several days, and had cancer for many years
Twombly's paintings blur the line between drawing and painting. Many of his best-known paintings of the late 1960s are reminiscent of a school blackboard on which someone has practiced cursive "e"s. His paintings of the late 1950s, early 1960s might be reminiscent of long term accumulation of bathroom graffiti. Twombly had at this point discarded painting figurative, representational subject-matter, citing the line or smudge — each mark with its own history — as its proper subject.
Later, many of his paintings and works on paper moved into "romantic symbolism", and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted the poet Stéphane Mallarmé, as well as many classical myths and allegories in his works. Examples of this are his Apollo and The Artist and a series of eight drawings consisting solely of inscriptions of the word "VIRGIL". In a 1994 retrospective of Twombly's work, the curator described it as “influential among artists, discomfiting to many critics and truculently difficult not just for a broad public, but for sophisticated initiates of postwar art as well.”
Twombly lived in Lexington, Virginia, and Rome, Italy. He died in Rome after being hospitalized for several days, and had cancer for many years
Nor but in sleep findeth a cure for care.
Incertainty that once gave scope to dream
Of laughing enterprise and glory untold,
Is now a blackness that no stars redeem.
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